One Night by:Eric Jerome Dickey
The New York Times bestselling author checks in to the hotel of readers’ dreams for an ardent romantic adventure that lasts just One Night.
For one night, a couple checks in to an upscale hotel. The pair seem unlikely companions, from opposing strata of society, but their attraction is palpable to all who observe them—or overhear their cries of passion. In the course of twelve hours, con games, erotic interludes, jealousy, violence, and murder swirl around them. Will they part ways in bliss, in sorrow, or in death?
Filled with all the hallmarks of an Eric Jerome Dickey bestseller—erotic situations, edge-of-your-seat twists and turns, and fun, believablerelationships—One Night will delight Dickey’s existing fans and lure countless new ones.
God Help the Child by:Toni Morrison
The new novel from Nobel laureate Toni Morrison.
Spare and unsparing, God Help the Child is a searing tale about the way childhood trauma shapes and misshapes the life of the adult. At the center: a woman who calls herself Bride, whose stunning blue-black skin is only one element of her beauty, her boldness and confidence, her success in life; but which caused her light-skinned mother to deny her even the simplest forms of love until she told a lie that ruined the life of an innocent woman, a lie whose reverberations refuse to diminish . . . Booker, the man Bride loves and loses, whose core of anger was born in the wake of the childhood murder of his beloved brother . . . Rain, the mysterious white child, who finds in Bride the only person she can talk to about the abuse she’s suffered at the hands of her prostitute mother . . . and Sweetness, Bride’s mother, who takes a lifetime to understand that “what you do to children matters. And they might never forget.”
Welcome to My Breakdown by:Belinde Little
The nationally bestselling author of Good Hair and The Itch pens her first book of nonfiction, a “momoir” about her own journey caring for aging parents, raising children, being married, plunging to the depths of depression, and climbing her way out.
My mother was gone. I never thought I would survive her death.
A major bestselling novelist and former magazine editor, long married to a handsome and successful stockbroker with whom she has a beautiful daughter and son, Benilde Little once had every reason to feel on top of the world. But as illness, the aging of her parents, and other hurdles interrupted her seemingly perfect life, she took a tailspin into a pit of clinical depression.
Told in her own fearless and wise voice, Welcome to My Breakdown chronicles a cavern of depression so dark that Benilde didn’t know if she’d ever recover from what David Foster Wallace called “a nausea of the soul.” She discusses everything from her Newark upbringing, once-frequent visits to a Muslim mosque, and how it felt to date a married man, to her doubts about marriage, being caught between elder care and childcare, and ultimately how she treated her depression and found a way out.
Writing in the courageous tradition of great female storytellers such as Joan Didion, Nora Ephron, and Pearl Cleage, Benilde doesn’t hold back as she shares insights, inspiration, and intimate details of her life. Powerful, relatable, and ultimately redemptive, Welcome to My Breakdown is a remarkable memoir about the power within us all to rise from despair and to feel hope and joy again.
Pleasantville by:Attica Locke
Jay Porter, the hero of the critically acclaimed bestseller Black Water Rising, becomes embroiled in a toxic case involving politics, corruption, and murder in this electrifying and atmospheric tale from Attica Locke, a writer “akin to George Pelecanos or Dennis Lehane” (New York Times).
Fifteen years after his career-defining case against Cole Oil, Jay Porter is broke and tired. That victory might have won the environmental lawyer fame, but thanks to a string of appeals, he hasn’t seen a dime. His latest case—representing Pleasantville in the wake of a chemical fire—is dragging on, shaking his confidence and raising doubts about him within this upwardly mobile black community on Houston’s north side. Though Jay still believes in doing what’s right, he is done fighting other people’s battles. Once he has his piece of the settlement, the single father is going to devote himself to what matters most—his children.
His plans are abruptly derailed when a female campaign volunteer vanishes on the night of Houston’s mayoral election, throwing an already contentious campaign into chaos. The accused is none other than the nephew and campaign manager of one of the leading candidates—a scion of a prominent Houston family headed by the formidable Sam Hathorne. Despite all the signs suggesting that his client is guilty—and his own misgivings—Jay can’t refuse when a man as wealthy and connected as Sam asks him to head up the defense. Not if he wants that new life with his kids. But he has to win.
Plunging into a shadowy world of ambitious enemies and treacherous allies armed with money, lies, and secrets, Jay reluctantly takes on his first murder trial—a case that will put him and his client, and an entire political process, on trial.
The Calendar of Loss by:Dagmawi Woubshet
His world view colored by growing up in 1980s Ethiopia, where death governed time and temperament, Dagmawi Woubshet offers a startlingly fresh interpretation of melancholy and mourning during the early years of the AIDS epidemic in The Calendar of Loss.
When society denies a patient’s disease and then forbids survivors mourning rites, how does a child bear witness to a parent’s death or a lover grieve for his beloved? Looking at a range of high and popular works of grief—including elegies, eulogies, epistles to the dead, funerals, and obituaries—Woubshet identifies a unique expression of mourning that emerged in the 1980s and early 1990s in direct response to the AIDS catastrophe. What Woubshet dubs a “poetics of compounding loss” expresses what it was like for queer mourners to grapple with the death of lovers and friends in rapid succession while also coming to terms with the fact of their own imminent mortality.The time, consolation, and closure that allow the bereaved to get through loss were for the mourners in this book painfully thwarted, since with each passing friend, and with mounting numbers of the dead, they were provided with yet more evidence of the certain fatality of the virus inside them.
Ultimately, the book argues, these disprized mourners turned to their sorrow as a necessary vehicle of survival, placing open grief at the center of art and protest, insisting that lives could be saved through the very speech acts precipitated by death. An innovative and moving study, The Calendar of Loss illuminates how AIDS mourning confounds and traverses how we have come to think about loss and grief, insisting that the bereaved can confront death in the face of shame and stigma in eloquent ways that also imply a fierce political sensibility and a longing for justice.